This is a must read article for those who are new to detective
mystery books and looking for somewhere to start. Here I list the three
great giants of this genre and why they deserve their spot.
Arthur Conan Doyle
Arthur
Conan Doyle must top any list of mystery authors. His Sherlock Holmes,
though created in the Victorian era, is still a household name, an icon
for all subsequent fictional heroes in this genre. Aided by his bumbling
sidekick Dr Watson, from his famous London apartment Holmes solves
innumerable mysterious dilemmas brought to him by desperate suppliants,
from Government ministers to humble damsels in distress, and time and
time again he foils the plots of his archenemy, the criminal mastermind,
Moriarty. The brooding intellectual genius of Holmes, the unfailing
solver of all mysteries, is made more humane by his inept
violin-playing, his harmless drug-addiction and the honest common-sense
complementarity and physicality of his Watson companion.
Doyle
himself was born into an Irish Catholic Edinburgh family in 1859; he
attributed much of his love of literature to the fantastic stories told
to him when young by his mother Mary; later he even believed in the
actual existence of fairies and other such imaginary beings. He
qualified as a doctor and the logical order and method of Holmes in
solving his cases came in no small part from Doyle's admiration of one
of his professors in medical college, just as his bumbling Watson came
from his actual experience of some medical colleagues. But in fact from
an early age his real talent lay in imaginative writing. So, though his
service as a doctor in the Boer war earned him a knighthood, he soon
abandoned medicine for literary pursuits. Initially at least, he saw his
Holmes novels and short stories as pot boilers for his more serious
novels and poems. The latter were in many ways the complete opposite of
the detective works, they reflected more his love of the supernatural,
the esoteric and the exotic. It was, however, the Holmes works that the
public craved. Those works made Doyle a very rich man, won him
international fame, and guaranteed his enduring legacy. For he had
created a rich new genre of detective mystery writing which Agatha
Christie and others have carried on successfully into our own era.
Agatha Christie
Agatha
Christie carried on Doyle's legacy but in a more varied and modern
style. Her main detective, Poirot, also relies on order and logical
method to solve the invariably complex cases foisted on him by desperate
clients, and he has a Watson-like companion and narrator, the
redoubtable Hastings. But Christie, though still quintessentially
British, moves beyond the insularity of Doyle to encompass the wider
world, as her titles make clear: Murder on the Orient Express; Death on
the Nile, They came to Baghdad. Yet in her other great sleuth, Miss
Marple, and aged spinster from a small English village, she not only
changes the gender of the traditional detective hero, but also seems to
become totally parochial. I say seems for her thesis is that all the
world is embodied in the local. And it is the universal applicability of
her works that make them so popular, that and the unmatched ingenuity
of her plots, which keeps us guessing to the end. It's this, and the
continuing world-wide popularity of the genre, that has enabled her to
sell 2 billion copies of her works world-wide, translated into 45
languages, second only in sales to the Bible and Shakespeare.
Raymond Chandler
If
Doyle and Christie are very British, Chandler is very American and
carried the genre to that continent, and to its world of Hollywood
movies, with crucial variations. He might be said to be the founder of
the American hard-boiled detective of Film Noir and Pulp Fiction fame.
He evolved this style from reading pulp fiction stories while unemployed
during the great depression. He was drawn to it because he found it
forceful and honest, if somewhat crude. Certainly, Philip Marlow, his
slightly dark and downbeat private eye, played in the films by Humphrey
Bogart, is far from the sophisticated world of Holmes or Poirot. But he
is very American and very democratic, consorting with the lowlife as
well as the society dames. In this mode Chandler's novels The Big Sleep,
Farewell my Lovely, and The Long Goodbye, are seen as having some merit
as modern American literature in its infancy. And through the movies,
he helped write the screenplay for the classic Double Indemnity and even
collaborated with Hitchcock in Strangers on a Train, he brought the
genre to an even wider audience. This is why, before his death in 1959,
he became president of the mystery detective association of America, he
had become its exemplar par excellence.
To conclude the above
writers could be called the three great giants of the Mystery genre but
they're certainly not the only writers of merit. Daphne Du Maurier and
Joseph Conrad to name but a few are also worthy of exploration. I hope
you find the same satisfaction in reading their works that I have.